Bruce Nauman
Bruce Nauman

General

How does one learn to understand contemporary art? How does one talk about contemporary art? And ultimately, how does one approach contemporary art?

To try to answer such far-reaching questions, Approaching Contemporary Art invites four experienced art professionals to talk about the “language” of contemporary art—by thinking through the various expressions, concepts, and mediums of art. We will be drawing on the current Bruce Nauman exhibition at Tai Kwun Contemporary, where the pioneering artist Bruce Nauman showcases his art and his experimental artistic language spanning six decades.

As an artist who has inspired artists young and old, his classic works of contemporary art in a multitude of mediums have reinvented the limits of what art can be. In this series of talks, you will get to explore the process behind curating an exhibition, and delve into the themes of postminimalism, sound and body art, as well as video and performance art. You will get the opportunity dive right into the dynamic world of contemporary art through direct conversations with art professionals including curators, artists, as well as scholars.

This two-day intensive seminar series welcomes art lovers from all backgrounds, especially those who want to experience a deeper appreciation of the ideas and formats used in contemporary art. Together, you will have the chance to re-examine the history of art together with key events that have shaped today’s world.

Approaching Contemporary Art will provide trilingual simultaneous interpretation; please refer to the timetable for the seminar language. Tickets are available on Klook. $1,000 for general two-day pass (including all four talks), $600 for one-day pass (including two talks). Full time students tickets are $500 for two-day pass and $300 for one-day pass (Full-time students with ID).

Image

Pi Li

From Action to Concept

The co-curator of Tai Kwun Contemporary's exhibition Bruce Nauman Dr Pi Li will take the renowned work of American painter Jackson Pollock (1912–1956) as a starting point and unfold a discussion on his research into 1950s to 1970s art theory. The presentation will parse through different theoretical subjects such as objectivity, the avant-garde, conceptualism, the body, media, and action, as well as how these subjects are enacted in writing, criticism, debate, exhibition, and sociopolitical activism.

The two traditions in Modernist art—formalism and the avant-garde—will be analysed in depth. Following this trajectory, we will see how "conceptualism" gradually evolved into an aesthetic standard in different contemporary art mediums, and extend from these different lines of thought on questions regarding medium, concept, social consciousness, and art institutions in the contemporary context.

Ellen Pau

From Video Art to the Intersection of Art and Technology

We will be following the fascinating evolution of video art from its avant-garde cinematic origins and other time-based mediums through historical changes and social contexts. We will explore the groundbreaking works of pioneering artists like Nam June Paik and Joan Jonas, and understand how video was established as a new artistic medium in the 1960s and 70s. Together, we will learn about the transition from analogue to digital media and how video art evolved with the advent of computers and the internet. We will be discussing the sociopolitical dimensions of video art, as well as examining how artists address issues of identity, gender, cultural representation, and political and environmental commentary through their work.

Image

Yeung Yang

of listening-- bodies in the making

"Is there such a thing as 'sound art'? I am not sure.

But I propose there are such formations of artists' making that compel listening in more ways than we think:

from ear to bone, from head to heart,

from standing to lying down,

from walking to turning,

from digging to flying...

May I tell you what happened?"

Chan Sai-lok

Cutting to the Core-- Language and Text in Contemporary Art

When it comes to hitting the bull's eye, delivering a concept straight from the shoulder, language stands as the medium of choice. Yet, beneath the surface of symbolic exchange lies a complex interplay of social and cultural frameworks. This session embarks on an exploration of how the linguistic symbols of everyday communication find their way into artistic expression. On another level, language possesses both visual and auditory dimensions. Join us as we also delve into how contemporary artists employ language through diverse materials, forms, and bodily engagement, uncovering its raw power and its ability to transform the way we experience art.

Points to note:
· All ticket purchases are final.

· If a Black Rainstorm Warning Signal or above, or Typhoon Signal No. 8 or above is issued before 10:00 am, the event will be cancelled and rescheduled.

Speakers Bio

Pi LI
Ellen PAU
Yang YEUNG
CHAN Sai Lok

Pi Li is the Head of Art of Tai Kwun Contemporary, Hong Kong. He was a former Sigg senior curator and Head of Curatorial Affairs of M+ Hong Kong. He previously served as the deputy executive director of the art administration department at the Central Academy of Fine Arts (CAFA, 2001–12); the co-founder and director of Universal Studios-Beijing (2005–12), later Boers-Li Gallery in Beijing.

Exhibitions Pi Li curated include Right Is Wrong: Four Decades of Chinese Art in M+ Sigg Collection at Whitworth Gallery in Manchester and Bildmuseet in Umea 2015 and 2014; Moist: Asia-Pacific Media Art at the Beijing Millennium Monument Art Museum in 2002; Fantasy Zone at Art Museum of DongA Daily in 2001 and Beijing Modern Art Center in 2002; Image Is Power at He Xiangning Art Museum in Shenzhen in 2002.

He was the curator of Under Construction at Tokyo Opera Museum in 2002; and Media City Seoul in 2006. He has also served as curator for the Shanghai Biennial in 2002; and Allôrs la Chine at Centre Georges Pompidou in 2003.

Publications include From Action to Concept (2015), Farewell to Moralism (2018), M+ Sigg Collection: Four Decades of Chinese Art (2021) and Madame Song: A Life in Art and Fashion (2023). Pi Li earned his Ph.D. degree in art history from the Central Academy of Fine Arts.

Ellen Pau, born in Hong Kong, began her art career while studying radiography at Hong Kong Polytechnic University, creating her first experimental super-8 film, The Glove. She co-founded Videotage in 1986 and received the Asia Cultural Council Fellowship in 1992, creating Song of the Goddess in the U.S.

Her international career launched at the 1995 Gwangju Biennale, followed by exhibitions at “City on the Move”, Asia Pacific Triennial, Shanghai Biennale and Taipei Biennale. Since 1996, she has been a director at the Microwave International Media Art Festival.

At the 2001 Venice Biennale, she presented Recycling Cinema. Recent exhibitions include Awakening: Art in Society in Asia 1960s–1990s (2019) at the National Gallery Singapore, What About Home Affairs (2019) at Para-site and Shape of Light” at M+ Facade (2022). Her works are held in collections of the Hong Kong Museum of Art, M+, and Griffith University. The Asia Art Archive launched her archive in 2023.

Yang Yeung is an art writer and an independent curator. She founded the non-profit soundpocket in 2008. She initiated independent artistic research project A Walk with A3 (2015-17) to support the right of art to be in the streets. Yeung is a researcher of the international Institute for Public Art, independent art critics collective Art Appraisal Club (HK), and the International Art Critics Association (HK). She is Co-founder of 1983. She serves on the board of MaD, a regional platform that encourages social innovation. She was Asian Cultural Council Fellow in 2013-14. She teaches classics at the Chinese University of Hong Kong.

Artist, art critic, and writer based in Hong Kong. Chan holds a BA and MFA in Fine Art and an MA in Gender Studies, all from the Chinese University of Hong Kong. He has always taken text and literature as points of departure in his artistic endeavour, through which he contemplates the intimate relationship between painting and literariness.

His recent solo exhibitions include The Pictures and Those Thousand Words (2024), Everyday Practice (Hong Kong 2019 and New York 2020), and Land of Longing and Exile (2019). His exhibition catalogues include The Countenance of Text and Everyday Practice. Chan is now a part-time lecturer in universities, and is also a 1a space curatorial board member, and guest host of a radio art programme.