主辦官方活動頁面連結: https://www.instagram.com/p/DZEe8A1xDRd/?igsh=MWhtY2Zxbnc2ZnB4dA==

【如三似一：Yohji Girl 裝置藝術作品展】 
 
「我們不會染上彼此的顏色，而是像黑色一樣將對方的所有波長吸收，然後摧毀各自既有的信仰，成為彼此的宗教。」 
 
展覽將黑色布幕懸掛，形成空間的邊界。藝術家 Yohji Girl（Charley）以顏料為筆，將神秘學鍊金術與閾限空間（Liminal Space）的概念交織，探討現代精神廢墟的破碎敍事，並從其創作的故事---《Ys And Happy Ever After》段落中，揭露現代靈魂在毀滅與執念間的荒誕本質。 
 
活動詳情： 
日期：2026年6月19日至21日（星期五至日，包括端午節及父親節） 
時間：19.6.2026, 上午9時至下午6時 ｜20.6.2026-21.6.2026, 中午12時至下午6時 
地點：跑馬地山村道54號 V54 
費用：全免 （必須預約：https://forms.office.com/r/cWLfAhhdR8） 
主辦：保良局青年社區藝術推廣中心 及 V54年青藝術家駐留計劃 
 
藝術家Yohji Girl （Charley）簡介： 
過往橫跨新聞、商業編劇及藝文創作，曾為香港電視劇集《戰毒》、《黑金風暴》、《熟女強人》的編劇，亦舉行過裝置藝術展覽《純濁之水》，將其於2020年出版的小說《冰島的太陽沒有光》撕毁，以書頁佈置空間，將文本解構為沉浸式感官體驗，重新定義閱讀方式。本次駐留將延續此創作風格及模式，以魔幻現實與先鋒美學包裝，融入猶太卡巴拉哲學及榮格心理學，探討敍事和感官轉化的可能性。 

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Triad into the One: Yohji Girl Solo Exhibition 
 
"We will not bleed into each other’s colors; instead, like black, we will absorb every wavelength of one another, tearing down our existing beliefs to become each other's religion." 
 
With black silk suspended to define the boundaries of the space, artist Yohji Girl (Charley) uses paint as her medium to interweave the concepts of occult alchemy and liminal space. The exhibition explores the fragmented narratives of modern spiritual ruins and, through an excerpt from her original story Ys And Happy Ever After, exposes the absurd nature of the modern soul caught between destruction and obsession. 
 
Exhibition Dates: June 19, 2026 – June 21, 2026 (Friday to Sunday) 
Opening Hours: 
June 19, 2026: 9:00 AM – 6:00 PM 
June 20–21, 2026: 12:00 PM – 6:00 PM 
Venue: V54, 54 Village Road, Happy Valley, Hong Kong 
Organizer: Po Leung Kuk YCAC & V54 
Free Entry. Pre-registration is required for attendance: https://forms.office.com/r/cWLfAhhdR8 
 
About the Artist: Yohji Girl (Charley)With a background spanning journalism, commercial screenwriting, and artistic creation, Charley has written for Hong Kong television series such as White War, In the Line of Fire, and Iron Ladies. She previously held the installation art exhibition The Pure and Turbid Water, where she tore apart her 2020 novel The Sun in Iceland Has No Light. By using the torn pages to decorate the space, she deconstructed the text into an immersive sensory experience, redefining the act of reading.This residency continues her signature creative style and approach. Wrapped in magical realism and avant-garde aesthetics, and infused with Jewish Kabbalah philosophy and Jungian psychology, her work explores the possibilities of narrative and sensory transformation.